Description of the painting by Vladimir Borovikovsky “Christ blessing a kneeling man”
Vladimir Lukich Borovikovsky was born into a noble, but poor family. At the time of Vladimir’s birth, the Borovikovskys owned only a house in Mirgorod and a couple of land plots. The father and brothers of the future artist were engaged in icon painting, and Vladimir was going to choose this same type of painting for his work. The first creations of the young artist are the icons.
The early portraits of Borovikovsky were quite unprofessional. In 1787, Catherine the Second came to the Crimea, where the author lived at that time. She draws attention to the work of Vladimir Lukich and insists on his move to St. Petersburg. It was supposed that the talented painter would go to the Academy of Fine Arts, but for a thirty-year-old creator such a step was somewhat belated. In St. Petersburg, Borovikovsky completely switched to portrait painting, but religious motifs are constantly slipping in his work.
The only known self-portrait
The tunic is richly decorated with gold. However, Christ is barefoot, and on his feet are traces of nails left over from the crucifixion. The plot of the picture and the performance are characteristic of the late creative work of Vladimir Lukich. In the last years of his life, the artist became interested in religious mysticism and returned to what he began with, devoting himself entirely to Orthodox painting.
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