Description of the painting by Vasily Ivanovich Surikov “Siberian Beauty (1891)”

Description of the painting by Vasily Ivanovich Surikov Siberian Beauty (1891)

The first thoughts that arise when seeing this picture, once again convince us that the true female beauty does not need any decorations. This opinion was shared by the artist himself, who was from Siberia and loved his native country very much. He often used images of his countrymen for writing canvases. It depicts a young cheerful Siberian, from which breathes energy and good mood. She is dressed in traditional Russian dress, a woman radiates warmth and goodness. Her black eyes glow with happiness, glimpses of a living Russian soul can be seen in them.

The mischievous look is perfectly emphasized by the beautiful smile that makes the image of the girl more complete and complete. The artist paid special attention to the costume in which the heroine is dressed. On a white shirt wearing a black dress, embroidered with golden threads. Her head is decorated with a scarf with embroidery, perfectly combined with the whole outfit. The combination of colors makes her image discreet, but nevertheless, it looks very elegant. A soft light falls on the girl, which does not emit any special details.

Ivan Surikov was a singer of natural female beauty, so he chose not to portray any extra jewelry on the girl. He did not want to complicate the content of the picture, paying more attention to the inner world of the Siberian. The master incredibly accurately depicted a typical Russian beauty, who seems strong, free and smiling. Her posture seems slightly playful and flirtatious, as if the girl is having fun. The shawl is tied very simply, “in a folk way”, emphasizing its deliberate negligence. But most importantly, the artist was able to perfectly convey the naturalness and charm of his countrywoman, who touches the most delicate strings of the soul and makes admire her with unconstrained beauty.


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Description of the painting by Vasily Ivanovich Surikov “Siberian Beauty (1891)”