The cutting line of Wassily Kandinsky is a vivid example of abstract art. This painting bears the characteristic features of a geometric style in the artist’s work, inherent in all his works of the 1920s. Works acquire restraint and rationality, cool colors come to replace the riot of bright colors, spontaneity is replaced by clear strict forms and geometric elements.
To understand the idea embedded in the picture “The Crossing Line”, you need to look not at objects or images, you need to cover everything as a whole. The fact is that avant-garde art is subjective, drawn to the “inner” vision and belief in certain things and truths.
Combining all these components, the viewer gets his external and internal “image” of this picture. This is a feature of all the works of V. Kandinsky, who believed that art should not be self-evident. His pictorial world is fluid and multi-faceted, like a kaleidoscope.
In the center of the picture are intersecting and colliding figures. The seemingly incomprehensible and chaotic mosaic of lines, circles and points form a harmonious composition exactly as the artist saw it. And V. Kandinsky – these are elements that are not connected together, these are just particles of the world. Remarkable and color reception used by the author.
Sharp triangles and squares have the advantage of a warm and bright gamut. Blue and green are in the minority, serving to position and balance the figures in relation to each other. Lines fill the space. They connect, cross out, form figures, distort…
One of the interpretations of the painting “The Cutting Line” indicates the image of the geometry of the world. And indeed, here you can see everything – the plane, the figures and the color. The rest, like everything else in the universe, depends on self-action and attitude to the world. Or, as V. Kandinsky liked to say, thought and being are interrelated and cannot exist separately from each other.
External reflection of internal concepts, “hallucinations”, because everyone sees in their own way unique and individual.