Dali’s virtual and surrealism is deep, complex, involuntarily connected and eludes logical analysis. This is the meaning of the unreal state that comes in dreams.
In the “abnormal” painting can be traced exactly noticed parts and images, despite the conscious entanglement of the image, looking through which you find yourself in the unknown world of mystical creatures and flowing dreams.
Dali’s paintings are the universe of personal experiences. Eroticism and sadism are present in them, life borders on death, and the only possible condition is deformation.
Dali’s trademark was transformation. Sometimes this technique forms the central essence of the picture, and sometimes remains a detail. The state of transition, the metamorphosis of the object plays an important role in the world. There is no difference between reality and fiction. Unimaginable mixing of incompatible details gives a feeling of irrational reality that develops into a single complex.
A work of art opens to everyone in its own way. No one can explain what can be understood through their own feelings and life experience. In the picture there are a number of characters.
Human beings in the background resemble insects, or rather, locusts or ants, which were signs for the impressionable Dali and are associated with a harbinger of trouble and, as a result, with death.
Despite the masterly mastery of the author, the picture looks etude without demonstration of technology. He created a certain laconic desert landscape with a rock in which everyone lives an unreal life.
The artist depicts naked people, in fact, being a symbol of surrealism, which exposes everything without any boundaries, as in the manifesto of surrealists, saying that “there is no limit in your fantasies,” and we invent the limits ourselves.