Description of the painting by Edward Manet “Flute”

Description of the painting by Edward Manet “Flute”

Description of the painting by Edward Manet Flute

The painting was written in 1866. This is a great work of the artist. Poetry and severity here are combined into one inseparable whole. We see the usual boy. He is a child, which has a special immediacy and deliberate importance. He is wearing red pants and a blue uniform.

The clothes create a sharp contrast of two colors. Manet was very interested in the details of different costumes, which is why in many of his paintings there appear characters in various unusual costumes. The artist himself also liked to change clothes. How charming this child is. Manne’s picture is incredibly charming as possible. The colors are so simple that incredible harmony is created. The boy’s figure looks incredibly simple.

The environment surrounding the hero of the picture is very mysterious. The background is almost plain, and the horizon line is absolutely not felt. The background just evaporated, and an invisible veil surrounds the boy’s figure. The whole atmosphere is created from something beyond the control of ordinary reality, but it is precisely in this that true painting and its incredible poetry are born. Manet painted a picture in the style of Japanese prints. Their specificity was precisely that that the figures had a very clear silhouette, and the whole situation around was only slightly outlined and could only be guessed at.

The background of this work is absolutely flat, and here details of a secondary nature are not important. The salon of 1866 categorically rejected this work of the artist, believing that there was no much needed volume and air in it, and also no perspective. Critics called a flutist boy a jack, which seemed to be pinned to a barely guessed wall. The artist depicted a very real flutist from the orchestra, which he specifically posed for. It is believed that the face of the boy Mane wrote from his son. that there is no much needed volume and air in it, and also the prospect is completely absent.

Critics called a flutist boy a jack, which seemed to be pinned to a barely guessed wall. The artist depicted a very real flutist from the orchestra, which he specifically posed for. It is believed that the face of the boy Mane wrote from his son. that there is no much needed volume and air in it, and also the prospect is completely absent. Critics called a flutist boy a jack, which seemed to be pinned to a barely guessed wall. The artist depicted a very real flutist from the orchestra, which he specifically posed for. It is believed that the face of the boy Mane wrote from his son.